An Australian author living in Norway

Author: Zoë (Page 4 of 7)

Launched

On Friday I attended my first book launch and signing along with my fellow OIWG members (that’s the Oslo International Writers’ Group for anyone not familiar).  We launched our first anthology, North of the Sun, South of the Moon: New Voices from Norway at Café Fedora, and with sixty or more supporters looking on, we shared readings from the book and raised a tidy sum for the Norwegian volunteer organization, Utdanningshjelpen.

My reading of one of my two stories from the book, Far North, True North, was unfortunately cut short by a dead camera battery, but here’s the part that survived:

Being asked to sign books was both a surprise and an honour – there were many more people who wanted their copies signed than I ever expected, with some people even asking for extra copies for their friends and family members. My fellow authors and I got such a buzz from seeing so many enthusiastic readers pick up our book, but truly the best part of the evening was when Felix from Utdanningshjelpen told us his story, and how he came to found the organization.

Felix Omondi Osok comes from Kenya, and grew up an orphan in the city of Maseno. But he was lucky: as a fourteen year old, he got a job as a project assistant with “Rotary Doctor Bank” where his dedication and determination was noticed. Felix received a lot of support from his grandparents, but it was difficult for him to gain enough money to finish school. Two doctors from the Doctor Bank decided to support Felix with extra money so that he could continue his education. Today, Felix holds a masters degree from Oslo University. Through Utdanningshjelpen, Felix helps children in similar situations to his own, of which there are all too many.

We hope that the money we are raising through the sale of our book will help support the education of children in developing countries, so that they may find their own voices.

OIWG

Bree Switzer reads from her piece, Maggie’s Farm

The paperback version of the book is now on sale at Amazon:

http://amzn.com/1909374539 or http://www.amazon.co.uk/dp/1909374539

E-book released

North of the Sun, South of the Moon: New Voices from Norway is now available for Kindle and other ebook readers! The paperback is just around the corner, but if you can’t wait, here are the ebook links:

Amazon (Kindle)

http://amzn.com/B00CTU0KH2 (US)

http://www.amazon.co.uk/dp/B00CTU0KH2 (UK)

Kobo

http://bit.ly/18pnW5G

Apple iStore

https://itunes.apple.com/us/book/north-sun-south-moon/id650166540?mt=11

Barnes and Noble (Nook)

http://bit.ly/11tQTuf

Smashwords (EPUB)

http://www.smashwords.com/books/view/316919

Remember, all profits go to Utdanningshjelpen, a Norwegian volunteer organization helping children and young people in developing countries fulfil their educational potential.

Perhaps you’re wondering a little about the stories in the book. Hey, I understand. It’s all very well to buy a book because the proceeds go to charity, but would you actually read (and, more importantly, enjoy) the thing? Not everyone reads short stories, or poetry, or non-fiction essays. It’s hard to know what to expect. So, to help ease you into our little world, here is a hint of what you’ll find inside…

In Go North, Young Man, Brian Talgo reveals the serendipitous trail of true events that led him to Norway from the United States, and in Orientation, Audrey Camp overcomes the disorienting effects of her first two weeks in Oslo by mapping out the new city she calls home. My short story Far North, True North, presents two contrasting definitions of north for someone born far south of the equator. In Tolerance, Chelsea Ranger tells the true story of Lizhong “Frank” Li, a Chinese refugee to Norway who was imprisoned for his beliefs and tortured by his own government. Mauricio Ruiz gives us Estrellita, a short story about a desperate woman who takes advantage of the Norwegian custom of leaving babies to sleep unattended in their strollers outside cafés. Bree Switzer’s short story Maggie’s Farm is the story of a woman searching for a way to let go of her pain. We explore the rich history of Scandinavia in Turn, Turn, Turn, Anna Maria Moore’s short story inspired by her mother’s childhood in post-WWII Sweden. Going back in time a bit further, Evelinn Enoksen gives a chilling account of a band of Vikings making their way home after a battle that has almost wiped them out in Frost.

I hope this small taste has inspired you to take a look at the book. I’m so proud of all the authors, and am amazed at the combined effect these stories have when collected together in a single volume.

North of the Sun…

If you’ve been wondering where the fairy tale posts have gone, it may appease you to know that they’ve taken a temporary backseat for a very good cause. I have been busy editing, proofreading and polishing fourteen great stories for the upcoming Oslo International Writers’ Group anthology, North of the Sun, South of the Moon: New Voices from Norway.

Today I’ve been working with fellow group member Chelsea Ranger to arrange our launch party. The e-book is set to launch on the 17th of May, to coincide with Norway’s grunnlovsdag (Constitution Day), with the paperback to follow in time for the party on the 7th of June. Profits from sales of the book will go to Utdanningshjelpen, a Norwegian charity which supports students in developing nations. The wonderful Anthony and Nicole from Cafe Fedora have offered to host the event at a steep discount, with the extra money raised from ticket sales to go directly to the charity.

The anthology has been written to two themes: Adaptation and North, and the pieces themselves range from short fiction to non-fiction to poetry. Some are uplifting, while others explore the darker side of human nature, but all together they make for a fascinating and thought-provoking read.

Book cover

The featured image on this post, The Wanderer, was painted by another talented OIWG member, Brian Talgo, and will grace the cover of the book, with the design by Ken Dawson. The book will be published by Holland House. And I can now reveal the actual cover:

I’m so excited to share these stories with you, and especially proud to be doing it for such a worthy cause.

I have two stories in this anthology, one a short fiction piece called The Social Animal, and the other a fictionalised account of real events, Far North, True North. These will appear alongside the fiction, nonfiction, and poetry of seven of my talented fellow OIWG members:

Audrey Camp

Chelsea Ranger

Brian Talgo

Mauricio Ruiz

Evelinn Enoksen

Bree Switzer

Anna Maria Moore

If you’re in Oslo, you might like to join us at Café Fedora for the launch party on the 7th of June. Here are the details:

Date: 7th June 2013 at 7:00pm

Place: Café Fedora, Frognerveien 22, Oslo

Price: 200 NOK per person

Food and drinks are included in the ticket price, and you will also hear the authors give readings, have the opportunity to buy the book and/or donate directly to Utdanningshjelpen, as well as be in the running to win a signed copy of the book.

Tickets are limited, so please buy yours today! Café Fedora’s owners, Anthony and Nicole Juvera, have made it possible for all tickets sold for the launch event to support the charity, too. The Oslo International Writers’ Group is open to writers of all kinds in the Oslo area. We meet once a month. Find us on Facebook if you’re interested in joining. We are always happy to welcome new blood, and you don’t even have to bleed–I mean read–at your first meeting!

Evil or Misunderstood?

ABC’s Once Upon A Time has cast, as one of its central villains, the Grimm Brothers’ character Rumpelstiltskin. In the series, though his character seems like simply a deal-making trickster, he is in possession of a level of magical skill coveted by some of the most evil characters in the show. When I first started watching, it seemed odd to me that he would be represented in this way, but perhaps the writers found it difficult to find a male fairy tale character who was evil enough to balance out all the evil women – after all, many of the human sources of evil in fairy tales are, in fact, women. Often they are step-mothers, or old hermit women, witches and evil queens, but there are also mothers and sisters of the protagonist who do their share of nasty business (usually spurred by envy of their daughter or sister’s beauty and grace).

But back to Rumpelstiltskin. I remember being perplexed by this story as a child – you’re clearly supposed to feel sympathy for the young girl, but to me she just didn’t cut the mustard. In reading the story again as an adult, I realized my childhood doubts were actually quite fair; though most of us remember Rumpelstiltskin for his desire to rob a newly wed young mother of her first born, is he really the nastiest person in his own story? Not by a long shot. Let’s take a brief look at the events in the story:

1. A poor father must go to see the king, and to make himself look good he brags that his daughter can spin straw into gold (a pretty stupid thing to say, but not really evil).

2. The king, who loves gold, demands that the daughter be brought to him and locks her in a room full of straw, telling her if she doesn’t spin it all into gold by morning, he’ll have her killed (yep, that’s evil).

3. The girl, understandably perplexed, begins to cry. Enter Rumpelstiltskin (let’s call him Rumpy for fun). Rumpy asks what the girl will give him if he does the job for her, she offers him a necklace (where did such a poor girl get a necklace from, one wonders), which he accepts and gets to work. Score one for Rumpy being a nice guy.

4. The king, happy to have a room full of gold, is still not satisfied. He locks her in a bigger room and makes the same threat. What a jerk!

5. The girl, instead of clueing in about how this works and finding a way to escape, starts to cry again. Rumpy returns once more to save the day, this time taking the girl’s ring in payment (yep, she also has a ring – couldn’t she have used it to bribe her jailer or something?). Rumpy spins all the straw into gold again – that’s two points for Rumpy, in total.

6. The king, never satisfied, locks the girl in an even bigger room, this time promising that if she succeeds in turning all the straw into gold, he’ll marry her. Not because he finds her charming, or beautiful, mind you, but because he wants the cash cow for his own. This king is a royal turd, if you ask me.

7. Rumpy comes again, but this time the girl has nothing left to give. Rumpy suggests that she give him her first born child, should she become queen (I’m going to take two points away from Rumpy for this one, it’s a pretty nasty bargain). She thinks it probably will never happen, so she accepts – naive, or just plain stupid? You decide.

8. The king is finally satisfied (for now, at least, but he better keep her close just in case), and marries her. And she accepts – not evil, but pretty stupid.

9. Everyone’s happy until the queen gives birth to a child. Rumpy comes back and demands payment, and the queen begins to cry because she’s become quite attached to her evil husband’s baby. Rumpy takes pity on her (yes, you read that right) and gives her three days in which to guess his name. If she gets it right, she can keep her child. Another point to Rumpy.

10. The queen sends messengers far and wide to find out all sorts of strange names. The first two times Rumpy visits, she guesses every name she can think of (yep, he doesn’t even give her a limit – another point), but to no avail. But on the third day, her messenger returns with a story about a strange little man dancing around a fire singing about how he’s going to take the queen’s child in the morning, and how he’s so happy no one knows his name is Rumpelstiltskin.

11. The queen makes a couple of fake guesses and then BAM! She kicks Rumpy right in the rump with his real name. He’s so furious that he stamps his foot through the floor, and then tears his leg off in an effort to free himself. He hobbles away without his leg, and without the baby.

Rumpy, by my count, comes away with a solid two points for being a good guy, even if he does have an anger management problem. The king, his queen and her father, however, are a jerk, a wuss and a braggart, respectively.

Open mic night

A couple of times a year, Oslo’s Litteraturhuset (House of Literature) holds an open mic night for new writers of all kinds to come and share their work. Last week, I participated for the first time, reading the opening of my novel, Amaranth. I was lucky enough to have an entourage with me (fellow members of the Oslo International Writers’ Group) who not only cheered me on, but offered to take a video of my reading as well. Here is the result:

I was proud to participate in such a fun evening, and to receive such great support, not only from my friends, but from all who listened. The other participants read poetry, stories and novel fragments in both Norwegian and English, and were impressive in their range, skill and enthusiasm. Some were funny, others dramatic, but all were heartfelt and brave. I look forward to the next one in September.

The Big Bad Wolf

I’m a bit late out of the gate with getting started watching NBC’s Grimm, but I have the whole first season lined up and ready to watch, and I’ve just finished watching the pilot episode. I have to admit, I was a little skeptical about a television show that turned my beloved fairy tales into a police procedural, but I have to admit I’m intrigued. After all, you could say police procedural dramas serve a similar purpose in our modern society to the role fairy tales and folk tales played in the lives of our ancestors: they serve to entertain, but they are also precautionary tales warning us of those who would do us harm, by showing us what happens to the unwary wanderer.

It looks like each episode of Grimm is going to be based on one of the tales collected and written by The Brothers Grimm (translated from the German Grimms’ Kinder und Hausmarchen or Grimms’ Children’s and Household Tales). And why not? Even if they went straight down the list, they’d have enough source material for at least three seasons. But then, there is really only a handful of these stories that most people would recognize – we all know about The Frog Prince, Sleeping Beauty (which the Grimms called Briar Rose), Rumpelstiltskin and Little Red Riding Hood, but how many of us could retell the tale of The Mouse, The Bird and The Sausage? Or Fundevogel? It does make you wonder why some tales have become more famous than others.

But I digress… Let’s talk about the pilot episode of Grimm. It was loosely based on the story of Little Red Riding Hood (or Little Red-Cap), but in this version of the story, the wolf is portrayed as a part-human, part-wolf who is apparently attracted to red hoodies, kidnapping young girls who wear them with the intent of devouring them. There was no dressing up in Grandma’s clothes, no familiar cry of “All the better to [see/hear/eat] you with, my dear” – all in all, there was little else about the episode that really links it with the original story of Little Red Riding Hood. For a while I thought maybe the character of Aunt Marie would be something of a stand-in for Red’s grandmother, but it seems she is part of the bigger story arc and has no direct relation to the Red Riding Hood story. It’s really the wolf who brings the two stories together.

So let’s talk about him. The Big Bad Wolf. He’s not really known as Big Bad in Grimms’ stories, he’s just referred to as “the wolf” – in fact, it was most likely Walt Disney and Frank Churchill who invented the name that has come to be used for all evil wolves in fairy tales, in the 1933 animation of The Three Little Pigs. But, call him what you will, this archetypal furry bad guy appears in many other folk stories: he is also the villain in a similar Grimm tale called The Wolf and the Seven Little Kids, in which a mother goat must go out and leave her seven kids at home, warning them not to open the door to anyone but her. She tells them they will know the Big Bad Wolf by his rough voice and black paws, but he tricks the kids by eating chalk to soften his voice, and by having a baker cover his paws in dough and flour so that when he puts his paws up to the window and calls to the kids in a soft voice, they let him in and he devours them.

Gilded Destiny

Another fellow Inklings Literary Agency client, Nola Sarina, is releasing the first of three novellas in her dark fantasy VESPER series, and to celebrate is giving away a copy of the e-book, along with customised temporary tattoos and a bookmark signed by the author herself.

GILDED DESTINY – a Vesper Novella by Nola Sarina

A woman’s memory returns when she falls in love with the monster who took it from her.

Calli tattoos her skin to fill the holes in her memory, thanks to an accident that left her mind damaged and empty. But a nasty encounter with a fired employee leaves her in the arms of her unlikely savior: Nycholas, a predatory, serpentine Vesper on the run from his brutal master.

Nycholas’ clandestine world holds the secrets to mankind’s origin and survival . . . but he only wants one thing before his time is up: a few colorful nights with Calli, the fragile, tattooed, human woman he pursued and saved.

The more Calli learns about Nycholas, the more her own darkened memories return to her. Despite her haunted past, she loses herself to passion and desire with her immortal captor.

Now, Calli must overcome the demons of her past, or allow Nycholas to kiss her memories away and spare her the trauma of loving a doomed immortal. But each choice comes with dire consequences – some that endanger not only herself, but her family as well.

GILDED DESTINY is the first of three novellas in Nola Sarina’s dark fantasy VESPER series, represented by Michelle Johnson of Inklings Literary Agency. Follow Nola on Twitter @NolaSarina and on Facebook or her blog for awesome announcements, giveaways, and upcoming info about the second Novella in the series!

Nola is a mother, wife, writer, and giggle-a-holic, living in Canada and raising a pack of kids. In her spare time she can be found geocaching, guzzling coffee, or tending to her garden. Her VESPER series is on submission by her agent to publishers, along with WILD HYACINTHE, a paranormal romance co-authored with Emily Faith.

Click here for Nola’s VESPERS giveaway.

Fairy Tale Blog Series

Fairy tales are hot right now. From TV shows like Grimm and Once Upon A Time, to recent movies like Snow White and the Huntsman and Red Riding Hood, classic fairy and folk tales are experiencing a reboot for modern audiences, and this time around we’re not looking at damsels in distress or sickly sweet Prince Charmings. We are returning to the old texts where ugly step-sisters cut off toes to fit into Cinderella’s slippers, and villains are forced to dance in red-hot iron shoes until they die. Today’s audiences want to embrace the darkness recent generations have been shielded from in watered-down versions of classic fairy tales.

I have always been drawn to these tales which, although often gruesome, are fascinating in their simplicity. There are many challenges in adapting these stories to fit the character-driven narratives readers and viewers are looking for today; fairy tales gathered by the likes of the brothers Grimm, Hans Christian Anderson and Charles Perrault, were morality tales, with little to no character development beyond whether each character was good or evil. Yet, there is an unmistakable draw – something about these simple tales keeps us coming back to them again and again, and as a lifelong fairy tale buff I am both excited and nervous about the recent spark of interest in these stories.

In a new blog series, I am going to look at some of the new versions of fairy tales and compare them with the original texts, as well as bringing to light some lesser-known stories and examining what it is that makes a story a fairy tale in the first place. I hope you will join me as every Friday I take a step into the land of far, far away.

Aloud

At the January meeting of the Oslo International Writers’ Group, we decided that we would introduce readings this year. Previously, we have read each other’s work ahead of time and given critiques at the meetings, but now that we have a year behind us and we know each other quite well, it felt like time to break away from paper and share our work out loud.

Being the one who suggested it, I volunteered to go first, having brought along one of my pieces for what is currently being called The Oslo Anthology (we’re still deciding on a proper title). It was the first time I have ever read my work aloud to a group, and I was unusually nervous – public speaking doesn’t usually bother me, but this is a group of truly talented writers whose opinions I value and respect, and although they are unceasingly supportive, I didn’t know what the reaction would be.

I had originally intended to read a small section of the story which related to the wine we were drinking (a Hardy’s wine from the region of South Australia I grew up in, and in which part of the story is set). But when I’d finished the first part, I was quietly reluctant to stop – it had felt good to read it out loud, and I was enjoying hearing the story myself, in an odd way. When I paused, the group stayed silent for a moment, one or two sitting with their eyes partially closed, as if savouring the words the same way they had savoured the wine. And then I was suddenly surrounded by smiles and nods, followed by eager requests for me to read on. What more encouragement could I need? I continued.

What followed was everything a writer could ask for: laughter, gasps, and at the climax, a cheer! Then, when I’d finished, that same savouring pause . . . Then applause, bigger smiles, bigger nods. My story is based on an experience I’d had when I first moved to Norway, and these people are, as well as fellow writers, almost all expats, and they related. Success.

I went out of that meeting on a real high. But that was nothing compared to the high I experienced at last month’s meeting; three of my colleagues shared their work, and it was good. Really good. And let me say now, I am usually not a fan of poetry – but the two poems that were read were so honest in such different ways; one was lyrical, abstract and almost dreamlike, the other grounded, real and painful in its honesty – yet both left me with images and feelings as if I’d been right inside the head and heart of the readers. Then a third piece was read, this time a work of fiction, disturbing in both content and tone, written from the point of view of a twelve year old child, being lead into certain death by people she trusted. I was both sickened and grimly fascinated.

Charming

My fellow Inklings Literary Agency client, Elliot James, has a book coming out in September with Orbit, and to celebrate the release of the cover art, Inklings is giving away a galley copy of the book:

CHARMING by Elliot James will be released in September 2013:

John Charming isn’t your average Prince . . . He comes from a line of Charmings — an illustrious family of dragon slayers, witch-finders and killers dating back to before the fall of Rome. Trained by a modern day version of the Knights Templar, monster hunters who have updated their methods from chainmail and crossbows to shotguns and kevlar, he was one of the best. That is — until he became the abomination the Knights were sworn to hunt.

That was a lifetime ago. Now, he tends bar under an assumed name in rural Virginia and leads a peaceful, quiet life. One that shouldn’t change just because a vampire and a blonde walked into his bar . . . Right?

Look for more Charming stories to be released soon by Orbit Short Fiction, too!

Want to win a galley copy of Charming? Simply share this blog post on Twitter, with the hashtag #Charming. At 12:01 a.m. Tuesday March 12th, Inklings will put all the #Charming tweets in a hat and draw for the winner!

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