Zoë Writes

An Australian author living in Norway

Page 6 of 8

The Big Bad Wolf

I’m a bit late out of the gate with getting started watching NBC’s Grimm, but I have the whole first season lined up and ready to watch, and I’ve just finished watching the pilot episode. I have to admit, I was a little skeptical about a television show that turned my beloved fairy tales into a police procedural, but I have to admit I’m intrigued. After all, you could say police procedural dramas serve a similar purpose in our modern society to the role fairy tales and folk tales played in the lives of our ancestors: they serve to entertain, but they are also precautionary tales warning us of those who would do us harm, by showing us what happens to the unwary wanderer.

It looks like each episode of Grimm is going to be based on one of the tales collected and written by The Brothers Grimm (translated from the German Grimms’ Kinder und Hausmarchen or Grimms’ Children’s and Household Tales). And why not? Even if they went straight down the list, they’d have enough source material for at least three seasons. But then, there is really only a handful of these stories that most people would recognize – we all know about The Frog Prince, Sleeping Beauty (which the Grimms called Briar Rose), Rumpelstiltskin and Little Red Riding Hood, but how many of us could retell the tale of The Mouse, The Bird and The Sausage? Or Fundevogel? It does make you wonder why some tales have become more famous than others.

But I digress… Let’s talk about the pilot episode of Grimm. It was loosely based on the story of Little Red Riding Hood (or Little Red-Cap), but in this version of the story, the wolf is portrayed as a part-human, part-wolf who is apparently attracted to red hoodies, kidnapping young girls who wear them with the intent of devouring them. There was no dressing up in Grandma’s clothes, no familiar cry of “All the better to [see/hear/eat] you with, my dear” – all in all, there was little else about the episode that really links it with the original story of Little Red Riding Hood. For a while I thought maybe the character of Aunt Marie would be something of a stand-in for Red’s grandmother, but it seems she is part of the bigger story arc and has no direct relation to the Red Riding Hood story. It’s really the wolf who brings the two stories together.

So let’s talk about him. The Big Bad Wolf. He’s not really known as Big Bad in Grimms’ stories, he’s just referred to as “the wolf” – in fact, it was most likely Walt Disney and Frank Churchill who invented the name that has come to be used for all evil wolves in fairy tales, in the 1933 animation of The Three Little Pigs. But, call him what you will, this archetypal furry bad guy appears in many other folk stories: he is also the villain in a similar Grimm tale called The Wolf and the Seven Little Kids, in which a mother goat must go out and leave her seven kids at home, warning them not to open the door to anyone but her. She tells them they will know the Big Bad Wolf by his rough voice and black paws, but he tricks the kids by eating chalk to soften his voice, and by having a baker cover his paws in dough and flour so that when he puts his paws up to the window and calls to the kids in a soft voice, they let him in and he devours them.

Gilded Destiny

Another fellow Inklings Literary Agency client, Nola Sarina, is releasing the first of three novellas in her dark fantasy VESPER series, and to celebrate is giving away a copy of the e-book, along with customised temporary tattoos and a bookmark signed by the author herself.

GILDED DESTINY – a Vesper Novella by Nola Sarina

A woman’s memory returns when she falls in love with the monster who took it from her.

Calli tattoos her skin to fill the holes in her memory, thanks to an accident that left her mind damaged and empty. But a nasty encounter with a fired employee leaves her in the arms of her unlikely savior: Nycholas, a predatory, serpentine Vesper on the run from his brutal master.

Nycholas’ clandestine world holds the secrets to mankind’s origin and survival . . . but he only wants one thing before his time is up: a few colorful nights with Calli, the fragile, tattooed, human woman he pursued and saved.

The more Calli learns about Nycholas, the more her own darkened memories return to her. Despite her haunted past, she loses herself to passion and desire with her immortal captor.

Now, Calli must overcome the demons of her past, or allow Nycholas to kiss her memories away and spare her the trauma of loving a doomed immortal. But each choice comes with dire consequences – some that endanger not only herself, but her family as well.

GILDED DESTINY is the first of three novellas in Nola Sarina’s dark fantasy VESPER series, represented by Michelle Johnson of Inklings Literary Agency. Follow Nola on Twitter @NolaSarina and on Facebook or her blog for awesome announcements, giveaways, and upcoming info about the second Novella in the series!

Nola is a mother, wife, writer, and giggle-a-holic, living in Canada and raising a pack of kids. In her spare time she can be found geocaching, guzzling coffee, or tending to her garden. Her VESPER series is on submission by her agent to publishers, along with WILD HYACINTHE, a paranormal romance co-authored with Emily Faith.

Click here for Nola’s VESPERS giveaway.

Fairy Tale Blog Series

Fairy tales are hot right now. From TV shows like Grimm and Once Upon A Time, to recent movies like Snow White and the Huntsman and Red Riding Hood, classic fairy and folk tales are experiencing a reboot for modern audiences, and this time around we’re not looking at damsels in distress or sickly sweet Prince Charmings. We are returning to the old texts where ugly step-sisters cut off toes to fit into Cinderella’s slippers, and villains are forced to dance in red-hot iron shoes until they die. Today’s audiences want to embrace the darkness recent generations have been shielded from in watered-down versions of classic fairy tales.

I have always been drawn to these tales which, although often gruesome, are fascinating in their simplicity. There are many challenges in adapting these stories to fit the character-driven narratives readers and viewers are looking for today; fairy tales gathered by the likes of the brothers Grimm, Hans Christian Anderson and Charles Perrault, were morality tales, with little to no character development beyond whether each character was good or evil. Yet, there is an unmistakable draw – something about these simple tales keeps us coming back to them again and again, and as a lifelong fairy tale buff I am both excited and nervous about the recent spark of interest in these stories.

In a new blog series, I am going to look at some of the new versions of fairy tales and compare them with the original texts, as well as bringing to light some lesser-known stories and examining what it is that makes a story a fairy tale in the first place. I hope you will join me as every Friday I take a step into the land of far, far away.

Aloud

At the January meeting of the Oslo International Writers’ Group, we decided that we would introduce readings this year. Previously, we have read each other’s work ahead of time and given critiques at the meetings, but now that we have a year behind us and we know each other quite well, it felt like time to break away from paper and share our work out loud.

Being the one who suggested it, I volunteered to go first, having brought along one of my pieces for what is currently being called The Oslo Anthology (we’re still deciding on a proper title). It was the first time I have ever read my work aloud to a group, and I was unusually nervous – public speaking doesn’t usually bother me, but this is a group of truly talented writers whose opinions I value and respect, and although they are unceasingly supportive, I didn’t know what the reaction would be.

I had originally intended to read a small section of the story which related to the wine we were drinking (a Hardy’s wine from the region of South Australia I grew up in, and in which part of the story is set). But when I’d finished the first part, I was quietly reluctant to stop – it had felt good to read it out loud, and I was enjoying hearing the story myself, in an odd way. When I paused, the group stayed silent for a moment, one or two sitting with their eyes partially closed, as if savouring the words the same way they had savoured the wine. And then I was suddenly surrounded by smiles and nods, followed by eager requests for me to read on. What more encouragement could I need? I continued.

What followed was everything a writer could ask for: laughter, gasps, and at the climax, a cheer! Then, when I’d finished, that same savouring pause . . . Then applause, bigger smiles, bigger nods. My story is based on an experience I’d had when I first moved to Norway, and these people are, as well as fellow writers, almost all expats, and they related. Success.

I went out of that meeting on a real high. But that was nothing compared to the high I experienced at last month’s meeting; three of my colleagues shared their work, and it was good. Really good. And let me say now, I am usually not a fan of poetry – but the two poems that were read were so honest in such different ways; one was lyrical, abstract and almost dreamlike, the other grounded, real and painful in its honesty – yet both left me with images and feelings as if I’d been right inside the head and heart of the readers. Then a third piece was read, this time a work of fiction, disturbing in both content and tone, written from the point of view of a twelve year old child, being lead into certain death by people she trusted. I was both sickened and grimly fascinated.

Charming

My fellow Inklings Literary Agency client, Elliot James, has a book coming out in September with Orbit, and to celebrate the release of the cover art, Inklings is giving away a galley copy of the book:

CHARMING by Elliot James will be released in September 2013:

John Charming isn’t your average Prince . . . He comes from a line of Charmings — an illustrious family of dragon slayers, witch-finders and killers dating back to before the fall of Rome. Trained by a modern day version of the Knights Templar, monster hunters who have updated their methods from chainmail and crossbows to shotguns and kevlar, he was one of the best. That is — until he became the abomination the Knights were sworn to hunt.

That was a lifetime ago. Now, he tends bar under an assumed name in rural Virginia and leads a peaceful, quiet life. One that shouldn’t change just because a vampire and a blonde walked into his bar . . . Right?

Look for more Charming stories to be released soon by Orbit Short Fiction, too!

Want to win a galley copy of Charming? Simply share this blog post on Twitter, with the hashtag #Charming. At 12:01 a.m. Tuesday March 12th, Inklings will put all the #Charming tweets in a hat and draw for the winner!

Book slump

I have been so involved lately in the process of creating books, talking books, promoting books and so on, that I’ve suddenly began to flounder when it comes to choosing something to read for pure pleasure. With more books than ever flooding the marketplace, I’ve become overwhelmed by choice. There are so many books, being promoted by so many anxious authors trying to get theirs to the top of teetering reading lists, it’s harder than ever to find that gem in the rubble. I’ve been burned a few times lately by disappointing books, and it’s come to the point where it’s now really hard to make a decision to buy something, even after reading the sample. I have relatively little time for pleasure reading these days, and so obviously I want to spend that time reading great books.

So I throw the gauntlet to you, dear readers. Find my next book! I will purchase the book for my Kindle, read it and post my thoughts in a future post.

To help you, here is a selection of books I love, in no particular order:

  • The Time Traveller’s Wife – Audrey Niffenegger
  • Cat’s Cradle – Kurt Vonnegut, Jr.
  • The Neverending Story – Michael Ende
  • The Book Thief – Markus Zusak
  • Lovesong – Nikki Gemmell
  • Stardust – Neil Gaiman
  • The Hunger Games – Suzanne Collins
  • The Kitchen God’s Wife – Amy Tan

Of course there are millions of others, but this cross-section of my book collection might give you an idea of what I’d enjoy. By all means, if you are an author, recommend your own book. But tell me what it’s about and why I might like it. Leave your recommendations in the comments, and I’ll blog about any books I end up reading from the list, including why I chose them and what I thought of them – I’ll also post a review on Amazon.

Just so you know, I’m really not into horror, and not particularly fond of romance, though I don’t preclude books with these elements – I’m just not overly fond of the formulaic or gratuitous use of either.

Also, this little experiment doesn’t mean I’m going to turn this into a book review blog, I’m simply looking to get out of my current reading slump and will hopefully find something fantastic to entertain myself with, and subsequently tell everyone about. Vær så god, as we say in Norwegian (in this case, meaning off you go):

New year, new book

At the end of 2012 I began the third book in The Eidolon Cycle, and already I know this will be the most challenging of the three. The story spans one hundred years, beginning in the late nineteenth century, and follows the origins, life and death of one of the secondary characters in Amaranth and Sweet Alyssum; Sabine. Titled Bella Donna, the story will explore how Sabine came to be the twisted creature readers will know from the first two stories or, if this is the first title read, it will introduce the saga from its earliest point.

There are always challenges when writing historical fiction, but I have not made even that part of it easy for myself; the principal location – the city of Lennox – will need to have its own believable history, even though no one really knows in which country it lies. Not only that, but the rules of the eidolon world are already set out in the first two books, even though they are set chronologically later than this story, so there are defined rules within which I need to work.

Then Sabine herself is a challenge; she is an unsympathetic character in the other books – dark, moody, callous and twisted – and to write her in the first person without alienating readers will take time and care. Knowing her as well as I do, I have that sympathy already, but can I get it across to my readers? Enough so that if they happen to read this book first, they will remain loyal to her through the other books? That is the goal I have set myself, and I accept it with relish. Why make it easy?

I am already fascinated with the research I have done so far, and it would be easy to get lost in that without writing a word. The history of our treatment of people suffering from neurological and psychological diseases is disturbing, particularly in regards to women. It is this very treatment, or mistreatment, in institutions around the world, still spoken about in whispers, that forms the backdrop for Bella Donna and Sabine.

The Next Big Thing

I was recently tagged in a game of “blog tag” by author Nola Sarina, who writes paranormal, fantasy and science fiction. The idea is to answer a series of questions about my current work in progress, so here goes:

What is the working title of your book?

Sweet Alyssum; it is part of ‘The Eidolon Cycle‘ series.

What genre does your book fall under?

If I’m to use acknowledged literary genres, Sweet Alyssum and the series it is part of is New Adult Paranormal Fiction. However, as I’ve said before, this series is something of a genre-buster. I believe it has wider appeal as far as age is concerned, and the paranormal element, while important, is not the most important part; rather it is a backdrop for what are essentially stories about individual young women facing very human challenges and conflicts.

Give a brief synopsis of your story.

Nicky Bailey witnessed her parents kill each other when she was only seven years old. Now, eleven years later, the imaginary friends she invented to help her through her trauma have reemerged and are insisting they are real. And dead. Nicky has never believed herself to be normal, but now she thinks she’s having a complete mental breakdown. It’s only when she finds an old photograph of one of these eidolons, as they call themselves, in a history book – a man who died in the 1920s – she has no choice but to accept their story, and her own family’s history.

When the eidolons tell her that she and what’s left of her family are in danger of attack from a woman Nicky only truly remembers from her nightmares, she must decide whether to stand strong and face her deepest fears, or run. But she soon discovers that her childhood home, her mother’s last words, and an old book of fairy tales may hold the secret to her strange visions, and maybe the key to her family’s survival.

Where did the idea come from for the book?

Originally, this was to be a sequel to Amaranth. But when I began to explore the life of Nicky Bailey, who was eight years old in Amaranth, there was so much more going on that had nothing to do with Eva Hamilton (Amaranth’s protagonist). So I decided to write it as a standalone story which would incorporate elements and characters from the eidolon world, but would serve to enrich the cycle, rather than be part of the same storyline.

Part of the story is based on plans I originally had for Amaranth, but had to leave out as the book took on a life of its own, and the rest is inspired by Nicky herself. She’s a wonderful character to write, and I hope she is as lovable in her own story as she was as a small child in Amaranth.

Which actors would you choose to play your characters in a movie rendition?

Many writers build imaginary Hollywood casts from their characters, but this has never been something I’ve been very willing to do. The characters are so clear in my mind, putting someone else’s face, voice or mannerisms to them is almost impossible. I suppose I could see Nicky as a young Sandra Bullock, and Bridget, her therapist, something like a cross between Diane Weist and Julie Andrews. As for Andrew… perhaps Chris Hemsworth? Though that might have more to do with Joss Whedon’s cheeky writing for him in The Avengers than anything.

Tag!

To continue with the game, I’m tagging Sammy H.K Smith, Paige DanielsChelsea Ranger, Gisèle Le Chevallier and Audrey Camp. Over to you, ladies!

Strange Tales from the Scriptorian Vaults

I’ve been published! My story, Grace of Women, appears in Strange Tales from the Scriptorian Vaults, newly published on Kindle and other ebook readers by Kristell Ink. The book begins when newly appointed Sergeant Crystal Lewis is sent to the parallel world, Earth 267, where she and her team discover a London different to those their agency has investigated before. Steam powered ships fill the sky, metal creatures scurry through the streets, and The Great Library is now nothing more than a burnt-out shell. Crystal’s investigations discover the records of the Scriptorians: elite explorers, scientists and chroniclers, chosen for their wordsmith abilities, their tenacious belief in uncovering the truth, their passion for the bizarre and baffling.

The stories that follow are those Sergeant Lewis discovers, the stories of the Scriptorians themselves.

Strange Tales from the Scriptorian Vaults is available now on Kindle from Amazon.com and Amazon.co.uk and in epub and other formats from Smashwords. Print versions are soon to follow.

All profits from sales of the book go to First Story, a UK based charity which promotes literacy and creativity to young people by holding workshops, which are often run by renowned authors.

Sweet, complete

Last week I finished the first draft of my second novel, Sweet Alyssum. It was quite an exciting achievement, not least because I had been aiming to get to this point by the end of October and actually reached by goal two weeks ahead of schedule. On my final day of writing, I wrote 9500 words earning a lot of self-congratulation, followed by a painful bout of tendonitis. But it was so satisfying to be done, especially since the series is now two thirds complete (unless I decide to go for that fourth book that’s been niggling around in my head lately, insisting that it should exist).

Sweet Alyssum is the second book I have written for my series The Eidolon Cycle, but it is not the second book in the series. Why? Because there is no second book. There is no first book and no last book. The Eidolon Cycle is a non-sequential series telling the individual stories of three different young women whose lives are inexorably intertwined, even though each book is set in a different time period.

My hope for the series is that readers will be able to start with whichever of the books appeals to them most. From that point, each additional book enriches the others until the reader eventually has the whole picture. Additionally, readers will get a different experience of the world and its characters depending on the order in which the books are read. Loyalties may arise for some readers where others are firmly opposed to certain characters, depending on how much they know about each of them before their story arcs are complete.

I will now let the draft rest for a couple of weeks before rolling up my sleeves and getting down to tightening and polishing it up before sending it to my agent. In the meantime I’m working on two short stories for the Oslo International Writers’ Group anthology, and I will then begin work on the third, and perhaps final, Eidolon book, aiming to have it complete by April 2013.

As a little good news aside, I won the Bookkus Water, Danger, Humour short story competition last week. My story was chosen as the winner by voters visiting the site, who scored the stories out of ten on a star-rating chart. Overall, my story, Rocks in his Socks, scored an average of 9 out of 10. I couldn’t be happier with the result, and am looking forward to seeing the result in print early in 2013.

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